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      <image:caption>Plastic Time radically rethinks how we experience time in screen media—not through plot or montage but through performance. The book explores how actors shape time through the movements and manipulations of their bodies: a quick glance, a recurrent shrug, an awkward embrace. Drawing on examples ranging from Duck Soup to This Is America and from Gilmore Girls to Donnie Brasco, it shows how bodily gestures and facial expressions sculpt history and contemporaneity, age, rhythm and tense. Combining media theory, philosophy, and performance studies, Plastic Time argues that performance doesn’t merely represent time—it actively figures it, stretching here and contracting there, now folding together, then tearing apart. Time in film, TV, and video is not fixed but elastic, not given but constantly made and remade, molded anew; it is as plastic as the actors’ bodies that enact it.</image:caption>
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      <image:caption>Richard Linklater is a popular American filmmaker who is widely celebrated for the breadth of his oeuvre. Over the past three decades, Linklater has directed more than twenty features, ranging from non-linear independent films to Hollywood genre entertainment. Despite the popularity of Linklater's rich and varied body of work and perhaps also because of this generic diversity he remains under-represented in critical and scholarly fora.ReFocus: The Films of Richard Linklater addresses this oversight, bringing together twelve original essays attending to Linklater as a filmmaker whose work engages with contemporary debates in American politics, gender, youth, and activism as well as significant concepts in film studies, including time and duration, rhythm, and movement. Together these essays form a dialogue on Linklater's ongoing role in contemporary American popular culture, and the impact his work has on discussions within (and beyond) film studies.</image:caption>
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      <image:title>Publicationsblog - Metamodernism: Historicity, Affect and Depth after Postmodernism Edited with Robin van den Akker and Alison Gibbons. Rowman &amp; Littlefield Int. 2017</image:title>
      <image:caption>Metamodernism: Historicity, Affect, Depth brings together many of the most influential voices in the scholarly and critical debate about post-postmodernism and twenty-first century aesthetics, arts and culture. By relating cutting-edge analyses of contemporary literature, the visual arts and film and television to recent social, technological and economic developments, the volume provides both a map and an itinerary of today’s metamodern cultural landscape. As its organising principle, the book takes Fredric Jameson’s canonical arguments about the waning of historicity, affect and depth in the postmodern culture of western capitalist societies in the twentieth century, and re-evaluates and reconceptualises these notions in a twenty-first century context. In doing so, it shows that the contemporary moment should be regarded as a transitional period from the postmodern and into the metamodern cultural moment.</image:caption>
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      <image:title>Publicationsblog - Anmerkungen zur Metamoderne Co-authored with Robin van Den Akker. Translated by Elias Wagner. TEXTEM Verlag 2015</image:title>
      <image:caption>Während sich viele Kommentatoren darüber einig sind, dass wir die Koordinaten der Postmoderne verlassen haben, herrscht wenig Einigkeit darüber, mit welchem Modell sich die Gegenwart erfassen und verändern lässt. Mit ihren Überlegungen zur Metamoderne spüren Robin van den Akker und Timotheus Vermeulen einer Haltung nach, die die ironische Distanz gegenüber Idealismus, Romantik und Realpolitik überwindet, ohne die Errungenschaften postmoderner Skepsis leichtfertig preiszugeben.</image:caption>
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      <image:title>Publicationsblog - Scenes from the Suburbs: The Suburb in Contemporary US Film and Television Edinburgh University Press 2014</image:title>
      <image:caption>Suburbia. Say the word and a stream of images pass before your eyes: white picket fence, neatly mowed lawns, winding roads nicely lined with trees, pastel-tinted bungalows, bored housewives, conspicuous consumption. We all know what the suburbs are about. Or do we? This book looks again at the filmic and televised spaces we think we know so well. How are these spaces built up? What is it that makes us recognize them as suburbs? How do they function? By exploring in detail the hometowns of Desperate Housewives, The Simpsons, King of the Hill, Happiness, Pleasantville, Brick and Chumscrubber, Scenes from the SuburbsC examines what it means to be suburban today. An essential read for academics concerned with the ways in which our understandings of space and place change, this book is particularly relevant for students and researchers in Suburban Studies, Film and Television Studies and Urban Geography.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Timotheus Vermeulen is Professor of Media, Culture and Society at the University of Oslo and joint director of the Media Aesthetics Research Group. He was a visiting scholar in Art History at Harvard in 2023–24 and will serve as joint Principal Investigator on a project on the politics of tone at the Centre for Advanced Study in Oslo in 2027–28. He co-founded the webzine Notes on Metamodernism, co-edits the Bloomsbury series Studies in Metamodernism, and is a regular contributor to Frieze. From 2023 to 2025 he hosted the podcast The Cluster F Theory with Gia Milinovich. Vermeulen writes on media, cultural and aesthetic theory. His latest book is Plastic Time: Gesture on Screen (SUNY, 2026). His work has been translated into more than ten languages, cited well over 3,000 times, and taken up in special issues of journals including English Studies and Screen, as well as exhibitions in Berlin, London, Moscow and New York. He has spoken at the Venice Biennale, Documenta and Summit at Sea, appeared on BBC radio and in international press, and served on juries and gremia including the Nam June Paik Award and the Bonner Kunstpreis.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Photo Stephan Porombka</image:caption>
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      <image:caption>Photo Anne Pöhlmann</image:caption>
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      <image:title>Press Photos - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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