Timotheus Vermeulen
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Timotheus Vermeulen
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#Screen Studies, #Critical Theory, #Book, 2025
#Screen Studies, #Critical Theory, #Book, 2025

Subtle Time: Gesture on Screen | Forthcoming with SUNY, 2025

#Screen Studies, #Critical Theory, #Book, 2025
#Critical Theory, #Screen Studies, #Journal Article, 2025
#Critical Theory, #Screen Studies, #Journal Article, 2025

‘Metamodern Memory: on Blade Runner, then and now’ | co-authored with Alison Landsberg. Rethinking History 29: 1 (Summer 2025), pp.

#Critical Theory, #Screen Studies, #Journal Article, 2025
#Critical Theory, #Screen Studies, #Journal Article, 2025
#Critical Theory, #Screen Studies, #Journal Article, 2025

'Memories of the future' | co-authored with Louis Bayman. Rethinking History 29: 2 (Summer 2025), pp.

#Critical Theory, #Screen Studies, #Journal Article, 2025
#Screen Studies, #Journal Article, 2024
#Screen Studies, #Journal Article, 2024

‘Genre Pastiche and Community’ | Co-authored with Kim Wilkins. Screen 65: 1 (Spring 2024), pp. 160-168.

#Screen Studies, #Journal Article, 2024
#Critical Theory, #Screen Studies, #Journal Article, 2024
#Critical Theory, #Screen Studies, #Journal Article, 2024

‘Metamodern Pastiche?’ | Co-authored with Kim Wilkins. Screen 65: 1 (Spring 2024), pp. 116-120.

#Critical Theory, #Screen Studies, #Journal Article, 2024
#Screen Studies, #Book Chapter, 2023
#Screen Studies, #Book Chapter, 2023

‘From the Everyday to the Epic and Back: foreground and background in Community’ | Moments in Television: Epic/Everyday. Edited by Jonathan Bignell, Sarah Cardwell and Lucy Fife. Manchester University Press, 2023, pp. 95-115.

#Screen Studies, #Book Chapter, 2023
#Art History & Aesthetics, #Criticism, 2023
#Art History & Aesthetics, #Criticism, 2023

‘Rob Kulisek’ | Frieze (April 2023), p.

#Art History & Aesthetics, #Criticism, 2023
#Critical Theory, #Journal Article, 2022
#Critical Theory, #Journal Article, 2022

‘Wallace after postmodernism: metamodernism, tone, and tennis’ | English Literature: Theories, Interpretations, Contexts 8: 1 (2022), pp. 105-124

#Critical Theory, #Journal Article, 2022
Screenshot 2024-05-23 at 12.30.52 PM.png
#Screen Studies, #Book, 2022
#Screen Studies, #Book, 2022

Refocus: The films of Richard Linklater | Edited with Kim Wilkins. EUP, 2022
—> BUY BOOK

#Screen Studies, #Book, 2022
#Screen Studies, #Book Chapter, 2022
#Screen Studies, #Book Chapter, 2022

‘Richard Linklater and the Field of American Dreams’ | ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 85-100.

#Screen Studies, #Book Chapter, 2022
#Screen Studies, #Book Chapter, 2022
#Screen Studies, #Book Chapter, 2022

‘Introduction: Linklater’s Itinerant Oeuvre’ | Co-Authored with Kim Wilkins. ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 1-14

#Screen Studies, #Book Chapter, 2022
#Critical Theory, #Art History & Aesthetics, #Magazine Feature, 2022
#Critical Theory, #Art History & Aesthetics, #Magazine Feature, 2022

‘What’s behind the reterritorialization of Oslo’s cultural sphere’ | Frieze online (June 2022)

#Critical Theory, #Art History & Aesthetics, #Magazine Feature, 2022
#Critical Theory, #Art History & Aesthetics, #Screen Studies, #Catalogue Text, 2022
#Critical Theory, #Art History & Aesthetics, #Screen Studies, #Catalogue Text, 2022

‘The do-er and the done-to: the politics of enthusiastic awkwardness’ | Ridiculously Yours: Art, Awkwardness and Enthusiasm. Edited by Jorg Heiser and Cristina Ricupero. Distanz, 2022, pp. 42-57

#Critical Theory, #Art History & Aesthetics, #Screen Studies, #Catalogue Text, 2022
#Art History & Aesthetics, #Criticism, 2022
#Art History & Aesthetics, #Criticism, 2022

‘Sandra Mujinga’ | Artforum (March 2022)

#Art History & Aesthetics, #Criticism, 2022
#Screen Studies, #Book Chapter, 2021
#Screen Studies, #Book Chapter, 2021

‘"Guess Who Doesn't Belong Here?": The Interracial Couple in Suburban Cinema’ | Race and the Suburbs in American Film. Edited by Merrill Schleier. State University New York Press, 2021, pp. 123-142.

#Screen Studies, #Book Chapter, 2021
#Art History & Aesthetics, #Catalogue Text, 2021
#Art History & Aesthetics, #Catalogue Text, 2021

‘When Attitudes Become Drink’ | Geist: Korpys/Löffler/Schmal. Edited by Fanny Gonella and Nadja Quante. Nomen Nominandum Buch, 2021, pp. 95-104

#Art History & Aesthetics, #Catalogue Text, 2021
#Critical Theory, #Magazine Feature, 2021
#Critical Theory, #Magazine Feature, 2021

‘Zoombies of the Zoomspace: A World of Flattened Flats’ | Co-authored with Jimenez Lai. Pool 6 (Spring 2021), pp. 58-60.

#Critical Theory, #Magazine Feature, 2021
#Screen Studies, #Magazine Feature, 2021
#Screen Studies, #Magazine Feature, 2021

‘Romantisker komedier, en selvmotsigende sjanger’ | Zett 155 (2021),pp. 58-70.

#Screen Studies, #Magazine Feature, 2021
#Art History & Aesthetics, #Criticism, 2021
#Art History & Aesthetics, #Criticism, 2021

‘Sissel Tolaas’ | Frieze (Dec. 2021), p.

#Art History & Aesthetics, #Criticism, 2021
#Art History & Aesthetics, #Criticism, 2021
#Art History & Aesthetics, #Criticism, 2021

‘Ben Rivers’ | Artforum (Dec. 2021)

#Art History & Aesthetics, #Criticism, 2021
#Art History & Aesthetics, #Criticism, 2021
#Art History & Aesthetics, #Criticism, 2021

‘Andreas Angelidakis’ | Frieze 219 (June 2021), p.

#Art History & Aesthetics, #Criticism, 2021
#Art History & Aesthetics, #Catalogue Text, 2020
#Art History & Aesthetics, #Catalogue Text, 2020

‘Skin Deep’ | Vivian Greven: Apple. Edited by Amely Deiss and Helga Krutzler. Kunstpalais, 2020, pp.

#Art History & Aesthetics, #Catalogue Text, 2020
#Art History & Aesthetics, #Catalogue Text, 2020
#Art History & Aesthetics, #Catalogue Text, 2020

‘This book is a ghost story’ | Drawing Literature. Edited by Ane Mette Hol. Hatje Cantz, 2020, pp. 9-11.

#Art History & Aesthetics, #Catalogue Text, 2020
#Screen Studies, #Magazine Feature, 2020
#Screen Studies, #Magazine Feature, 2020

‘Når verden går under på film’ | Zett 151 (2020), pp. 43-47.

#Screen Studies, #Magazine Feature, 2020
#Critical Theory, #Journal Article, 2019, #Reprint
#Critical Theory, #Journal Article, 2019, #Reprint

‘Reality beckons: metamodernism and depthiness’ | Co-authored with Alison Gibbons and Robin van den Akker. European Journal of English Studies 23:2 (2019), pp. 172-189.

REPRINTS:

Fact and Fiction in Contemporary Narratives. Edited by Jan Alber and Alice Bell. Routledge, 2021, pp. 52-69.

#Critical Theory, #Journal Article, 2019, #Reprint
#Screen Studies, #Journal Article, 2019
#Screen Studies, #Journal Article, 2019

‘Neoliberalism and class tourism in The Darjeeling Limited’ | New Review of Film and Television 17:3 (Spring 2019), pp. 331-48.

#Screen Studies, #Journal Article, 2019
#Critical Theory, #Journal Article, 2019
#Critical Theory, #Journal Article, 2019

‘Nike Air Pocket: fashionable ecology’ | APRIA Journal 1: 1 (2019), pp. 47-59.

#Critical Theory, #Journal Article, 2019
#Critical Theory, #Book Chapter, 2019
#Critical Theory, #Book Chapter, 2019

‘Metamodernism: Period, Structure of Feeling, and Cultural Logic – A Case Study of Contemporary Autofiction’ | Co-authored with Robin van den Akker and Alison Gibbons. New Directions in Philosophy and Literature. Edinburgh University Press, 2019, pp. 41-54

#Critical Theory, #Book Chapter, 2019
#Art History & Aesthetics, #Catalogue Text, 2019
#Art History & Aesthetics, #Catalogue Text, 2019

‘Ideally’ | Laure Prouvost: Legsicon. Edited by Nav Huq. Bookworks, London (2019), p. 123.

#Art History & Aesthetics, #Catalogue Text, 2019
#Art History & Aesthetics, #Catalogue Text, 2019
#Art History & Aesthetics, #Catalogue Text, 2019

‘Motor Skills’ | Co-authored with Robin van den Akker. Éric van Hove: Fenduq. Edited by Eelco van der Lingen. Jap Sam Books, 2019, pp. 141-151.

#Art History & Aesthetics, #Catalogue Text, 2019

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