Writing

ALL

The Crap Com |Co-Authored with Jon Inge Faldalen. In preparation for Bloomsbury, 2024

‘What is Metamodern Pastiche?’ | Co-authored with Kim Wilkins. Screen 65: 1 (Forthcoming 2024)

‘Genre Pastiche and Community’ | Co-authored with Kim Wilkins. Screen 65: 1 (Forthcoming 2024)

Subtle Time: Gesture on Screen | In preparation for SUNY, 2023

‘From the Everyday to the Epic and Back: foreground and background in Community’ | Moments in Television: Epic/Everyday. Edited by Jonathan Bignell, Sarah Cardwell and Lucy Fife. Manchester University Press, 2023

‘Rob Kulisek’ | Frieze (April 2023), p.

Refocus: The films of Richard Linklater | Edited with Kim Wilkins. EUP, 2022
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‘Wallace after postmodernism: metamodernism, tone, and tennis’ | English Literature: Theories, Interpretations, Contexts 8: 1 (2022), pp. 105-124.

‘Richard Linklater and the Field of American Dreams’ | ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 85-100.

‘Introduction: Linklater’s Itinerant Oeuvre’ | Co-Authored with Kim Wilkins. ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 1-14.

‘What’s behind the reterritorialization of Oslo’s cultural sphere’ | Frieze online (June 2022)

‘The do-er and the done-to: the politics of enthusiastic awkwardness’ | Ridiculously Yours: Art, Awkwardness and Enthusiasm. Edited by Jorg Heiser and Cristina Ricupero. Distanz, 2022, pp. 42-57.

‘Sandra Mujinga’ | Artforum (March 2022)

‘"Guess Who Doesn't Belong Here?": The Interracial Couple in Suburban Cinema’ | Race and the Suburbs in American Film. Edited by Merrill Schleier. State University New York Press, 2021, pp. 123-142.

‘When Attitudes Become Drink’ | Geist: Korpys/Löffler/Schmal. Edited by Fanny Gonella and Nadja Quante. Nomen Nominandum Buch, 2021, pp. 95-104.

‘Zoombies of the Zoomspace: A World of Flattened Flats’ | Co-authored with Jimenez Lai. Pool 6 (Spring 2021), pp. 58-60.

‘Romantisker komedier, en selvmotsigende sjanger’ | Zett 155 (2021),pp. 58-70.

‘Sissel Tolaas’ | Frieze (Dec. 2021), p.

‘Ben Rivers’ | Artforum (Dec. 2021)

‘Andreas Angelidakis’ | Frieze 219 (June 2021), p.

‘Skin Deep’ | Vivian Greven: Apple. Edited by Amely Deiss and Helga Krutzler. Kunstpalais, 2020, pp.

‘This book is a ghost story’ | Drawing Literature. Edited by Ane Mette Hol. Hatje Cantz, 2020, pp. 9-11.

‘Når verden går under på film’ | Zett 151 (2020), pp. 43-47.

‘Reality beckons: metamodernism and depthiness’ | Co-authored with Alison Gibbons and Robin van den Akker. European Journal of English Studies 23:2 (2019), pp. 172-189.

REPRINTS:

Fact and Fiction in Contemporary Narratives. Edited by Jan Alber and Alice Bell. Routledge, 2021, pp. 52-69.

‘Neoliberalism and class tourism in The Darjeeling Limited’ | New Review of Film and Television 17:3 (Spring 2019), pp. 331-48.

‘Nike Air Pocket: fashionable ecology’ | APRIA Journal 1: 1 (2019), pp. 47-59.

‘Metamodernism: Period, Structure of Feeling, and Cultural Logic – A Case Study of Contemporary Autofiction’ | Co-authored with Robin van den Akker and Alison Gibbons. New Directions in Philosophy and Literature. Edinburgh University Press, 2019, pp. 41-54.

‘Ideally’ | Laure Prouvost: Legsicon. Edited by Nav Huq. Bookworks, London (2019), p. 123.

‘Motor Skills’ | Co-authored with Robin van den Akker. Éric van Hove: Fenduq. Edited by Eelco van der Lingen. Jap Sam Books, 2019, pp. 141-151.

‘The English Channel': Brexit and True-Crime’ | Frieze 207 (2019), pp

‘Nightly Vertigo’ | Parole (2019)

‘Einar Garde Einarsson’ | Frieze 201 (March 2019), p.

'The surfaces of film-philosophy' | Co-authored with Catherine Constable and Matt Denny. Film-Philosophy 22: 2 (2018), pp. 143-147

‘Flat film: strategies of depthlessness in Pleasantville and La Haine’ | Film-Philosophy 22:2 (2018), pp. 168-183

‘Soft upper lip: Coach’s facial expressions in Friday Night Lights’ | Television Performance. Edited by Lucy Fife and James Walters. Springer Nature, 2018, pp. 225-239.

‘Emma Thompson in Remains of The Day' | Close-Up: Great Screen Performances Volume 2: International. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 228-237

‘Al Pacino in Donnie Brasco’ | Close-Up: Great Screen Performances Volume 1: America. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 234-242

'Parafiction, autofiction, perfiction' | Co-authored with Robin van den Akker. Para/Fictions. Edited by Natasha Hoare. Witte de With Publishers, 2018, pp. 19-29

‘The Altergorithm’ | The Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury, 2018, pp. 29-32.

REPRINTS:

Frieze online (April, 2016)

‘Ecopathy’ | The Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury, 2018., pp. 125-129.

‘Metamodernism' | The Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury, 2018, pp. 256-259.

‘Parafiction’ | AU: Oscar Santillan. Edited by Chiara Ianeselli. Mazzoli Editions, 2018, pp.

‘Face to face’ | Peter Ewig - Plongée. Edited by Peter Ewig. Onomato, Dusseldorf, 2018, pp.

‘Looking back 2018 – the year in tv’ |Frieze Online (2018).

‘Jill Mulleady | Frieze 197 (Sept 2018), p.

‘Eva Lewitt’ | Frieze 194 (April 2018), p.

Metamodernism: Historicity, Affect and Depth after Postmodernism | Edited with Robin van den Akker and Alison Gibbons. Rowman & Littlefield Int. 2017
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TRANSLATIONS:

Metamodernismo: Historicidad, afecto y profundidad después del posmodernismo | Edited with Robin van den Akker and Alison Gibbons. Translated by Joaqim Feijoo Perez. Mutatis Mutandis, 2023
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Metamodernizm: Postmodernizm Sonrası Tarihsellik, Duyuşsallık ve Derinlik | Edited with Robin van den Akker and Alison Gibbons. Translated by Aykut Dalak. Tun Kitap, 2020.
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Метамодернизм: Историчность, аффект и глубина после постмодернизма | Edited with Robin van den Akker and Alison Gibbons. Translated by V.M. Lipka. Ripol, 2019; 2nd Edition 2020; 3rd Edition 2021.
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'The new brutalism' | Co-authored with Rosi Braidotti and Brian Kuan Wood. E-Flux Journal 82 (2017)

‘Periodizing the 2000s, or the emergence of metamodernism’ | Co-authored with Robin van den Akker. Metamodernism: Historicity, affect, depth. Edited by Alison Gibbons, R. van den Akker and T. Vermeulen. Rowman & Littlefield, 2017, pp. 1-22.

‘Metamodern depth, or depthiness’ | Metamodernism: Historicity, affect, depth. Edited by Alison Gibbons, Robin van den Akker and Timotheus Vermeulen. Rowman & Littlefield, 2017, pp. 147-150

'We need to talk about Dolphins' | The Standard Book of Noun-Verb Exhibition Grammar. Edited by Niekolaas Lekkerkerk. Onamatopee, 2017, pp.

‘Groucho Marxism’ | Solution 275: Communism. Edited by Joshua Simon and Ingo Niermann. Sternberg Press, 2017, pp.

‘Contraction and expansion’ | Authenticity? Observations and artistic strategies in the post-digital age. Edited by Barbara Cueto and Bas Hendriks. Valiz, 2017, pp. 19-27.

‘Outside in, or: forms looking for feelings’ | Grit Richter - The Big Easy. Edited by Grit Richter. Wald und Wiese Verlag, Hamburg, 2017, pp. 12-17.

‘Retracing our steps’ | Esther Kläs Linda Matalon. Edited by Moritz Wilborn & Iris Kadel. Kadel Wilborn Galerie, Dusseldorf, 2017, 1 p.

‘Susan Philipsz’ | Frieze 186 (April 2017), p.

‘Postmodernism’ | The International Encyclopedia of Communication Theory and Philosophy. Edited by Eric Rothenbuhler. Wiley-Blackwell, 2016, pp.

‘Poststructuralism’ | The International Encyclopedia of Communication Theory and Philosophy. Edited by Eric Rothenbuhler. Wiley-Blackwell, 2016, pp.

‘Todd Haynes: with the love of the lens’ | Directory of World Cinema: American Independent Vol. 3. Edited by John Berra. Intellect/University of Chicago Press, 2016, pp. 138-141

‘Todd Solondz: in search of lost time’ | Directory of World Cinema: American Independent Vol. 3. Edited by John Berra. Intellect/University of Chicago Press, 2016, pp. 250-254

‘In hotel lobbies - the jungle!’ | Matthias Bitzer - Magically, mystically charged picture cosmos. Edited by Augusta Joyce. Distanz, 2016, pp. 31-33.

‘Large Rohrsach Test’ | Keith Tyson: Large Field Array. Edited by in E. Neilson. Zabludowicz Art Projects, 2016, pp. 58-59.

‘Ypres Wild Berries: on the photography of Eugene von Gundlach’ | Diango Hernandez: Theoretical Beach. Distanz Berlin, 2016. Edited by Stefanie Kreuzer, pp. 50-59.

‘The altergorithm’ | Frieze online (April, 2016)

‘Toil and Trouble’ | TANK Magazine 8:7 (2016), pp. 118-122

'Great job, Internet!' | Frieze online (2016)

'Ironie en post-ironie' | Metropolis M vol. 2016, iss. 3 (2016), p 93.

Anmerkungen zur Metamoderne | Co-authored with Robin van Den Akker. Translated by Elias Wagner. TEXTEM Verlag 2015
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TRANSLATIONS:

Poznámky k metamodernizmu |Co-authored with Robin van Den Akker. Translated by Terezia Klasova. Edice Psi Verlag 2017
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‘The New Depthiness’ | E-Flux Journal 61 (2015)

TRANSLATIONS:

新“感深性” |《黑齿》杂志/Heichi Magazine (Dec. 2020). Chinese transl. Xiaoxuan Song.

‘Thoughts on the space of contemporary sculpture, or: stringing along’ | Materiality in Times of Immateriality. Edited by Jorg Heiser and Eva Grubinger. Berlin: Sternberg Press, 2015, pp. 29-34.

‘The YBAs are Dead! Long Live the YBAs’ | Facing Forward: Art & Theory from a Future Perspective. Edited by Hendrik Folkerts, Christoph Lindner and Margriet Schavemaker. Amsterdam University Press, 2015, pp. 156-160.

‘Snap!’ | Zabludowicz Collection: 20 Years. Edited by Elizabeth Neilson & Paul Luckraft. Zabludowicz Art Projects, 2015, pp. 84-88,

‘Come closer’ | Sebastian Freytag: Werkstein. Edited by Sandra Dichtl. Verlag für Moderne Kunst, 2015, pp. 33-40.

‘Europe, why so serious? The problem of the pan-European sitcom’ | Frieze 172 (2015), p. 19.

‘Space is the place’ | Frieze 171 (2015), pp. 200-203.

‘Sascha Weidner’ | Frieze 169 (March 2015), p. 172.

Scenes from the Suburbs: The Suburb in Contemporary US Film and Television | Edinburgh University Press 2014
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‘Utopia, sort of – a case study in metamodernism’ | Co-authored with Robin van den Akker. Studia Neophilologica 87:1 (2014), pp. 55-67.

REPRINTS:

The Futures of the Present: New Directions in (American) Literature. Edited by Danuta Fjellestad and David Watson. New York: Routledge, 2017, pp. 55-67

‘Aesthetics and the as-if’ | Experimental Aesthetics. Edited by Henk Slager. Metropolis M Books, 2014, pp. 42.46.

‘Spiritual Discovery’ | Diango Hernandez: Socialist Nature. Edited by Gerhard Obermuller. Distanz Verlag, Berlin, 2014, pp. 12-16.

‘Getting to Know’ | Visualisation of Evolution. Edited by Petra Maitz. Ambra, Vienna, 2014, pp. 148-151

‘Oscar Santillan’ | Frieze 167 (November-December 2014), pp. 120-121.

‘Borrowed Energy’ | Co-authored with Rosi Braidotti. Frieze 165 (September 2014), pp. 130-33.

‘Art Criticism and Metamodernism’ | Co-authored with Robin van den Akker. Art Pulse 19.3 (2014), pp. 22-27.

TRANSLATIONS:

‘메타모더니즘과 예술 ‘ Korean trans. by Mihye Yim. Public Art┃퍼블릭아트 197, pp. 31-35.

‘Public Enemy: Machiavellian Scheming and Political Drama’ | Frieze 163 (May 2014), pp. 45-47.

Monika Stricker: Something else, all the same | Frieze D/E 13 (March 2014), pp. 104-105

‘Özlem Günyol & Mustafa Kunt’ | Frieze D/E 16 (September-November 2014), pp. 149-150.

‘Looking Awry: on Sturtevant’ | Art Blog Cologne (June 2014).

‘A Lingering Absence; Ilse D’Hollander’ | Texte Zur Kunst 93 (May 2014), pp. 231-233.

‘Ane Mette Hol’ | Frieze 161 (March 2014), p. 163.

‘Katie Holten’ | Frieze D/E 13 (March-April 2014), p.125

New Suburban Stories | Edited with Martin Dines. Bloomsbury 2013
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‘Watching Television with Jacques Rancière: US Quality TV, Mad Men, and the late cut’ | Co-authored with Gry Rustad. Screen 54.3 (Autumn 2013), pp. 341-354.

‘As if’ | Beyond The Aesthetic and the Anti-Aesthetic. Edited by James Elkins & Harper Montgomery. Penn State University Press, 2013, pp. 167-170

‘Introduction: The second space’ | Co-authored with Martin Dines. New Suburban Stories. Edited by Martin Dines and Timotheus Vermeulen. Bloomsbury, 2013, pp. 1-15.

‘Arrested Developments: Towards an Aesthetic of the New Sitcom’ | Co-authored with James Whitfield. Television Aesthetics and Style. Edited by Jason Jacobs and Steven Peacock. Bloomsbury, 2013, pp. 103-112.

‘Quality TV and Independent Cinema’ | Directory of World Cinema Vol 2: American Independent. Edited by John Berra. Intellect/University of Chicago Press, 2013, pp. 31-35

‘Metamodernist affect’ | American Book Review 34.4 (2013), pp. 8-9.

‘In praise of the copy’ | Zero RPM Records: “Higher State of Consciousness”. Edited by Ralf Brög. Petra Rinck Galerie, Dusseldorf, 2013, 5 pp

‘Ways of Knowing: The Sculptures, Installations and Drawings of Diango Hernandez’ | Frieze 159 (November 2013), pp. 140-143

‘“Een Verlangen naar Oprechtheid” | Co-authored with Robin van den Akker. De Groene Amsterdammer (05.09.2013), pp. 36-39.

‘School of Thought’ | Interview with Galit Eilat. Frieze D/E 10 (June 2013), pp.

‘Future Fictions’ | Co-authored with Ian Cheng, Fatima el Qadiri et al. Frieze 156 (May 2013), pp. 190-199

‘Little Women’ | Frieze 154 (April 2013), p. 19

‘Düsseldorf Renaissance’ | Frieze D/E 8 (Feb 2013), pp.

‘Thirteen theses on (the end of) liberal democracy’ | Metamodernism.com (2013)

‘Christoph Schellberg’ | Frieze D/E 12 (December 2013), pp. 134-135.

‘Daiga Grantina’ | Frieze 159 (November 2013), pp. 156-157.

'Corridor Plateau III' | Frieze D/E 11(September 2013), pp. 151-152.

'Christoph Knecht' | Frieze 157 (August 2013), p. 162.

'Painting - Posenenske, D'Hollander, Warboys’ | Frieze 156 (July 2013), pp. 216-217.

'Drawing a Universe' | Frieze D/E 10 (June 2013), pp. 155-156.

‘Evans & Fahlstrom’ | Frieze 155 (April 2013), pp. 152-153.

‘David Douard’ | Frieze 152 (January 2013), pp. 174-175.

‘Bernd Krauss’ | Frieze D/E 7 (January 2013), pp. 113-114.

‘Temporality and Temps Mortality in Mad Men, The Wire and Arrested Development’ | Co-authored with Gry Rustad. Television and Temporality. Edited by Melissa Ames. University of Missisipi Press, 2012, pp. 153-164.

‘Amsterdam city report’ | Co-authored with Nick Aikens and Maxine Kopsa. Frieze 151 (Nov. 2012), pp. 126-133

‘Changing Places’ | Co-authored with Dan Fox, Nils Norman, Anton Vidokle and Sharon Zukin. Frieze 148 (June 2012), pp. 174-185

'Wat willen de metamodernisten?' | Interview with Daniel van der Poel and Robin van den Akker. Metropolis M, vol. 33, iss. 4 (2012) , pp. 76-79

‘Which Side are You on?’ | Metamodernism.com (2012)

‘The lunar tic’ | Metamodernism.com (2012)

‘Metamodernism, history, and the story of Lampe’ | Co-authored with Robin van den Akker. After Postmodernism. Edited by Rachel MagShamrain and Sabine Strumper-Krobb. 2011, pp. 25-40

‘Metamodernisme’ | Co-authored with Robin van den Akker. Twijfel Vol 1 (2011), pp. 9-20.

‘Theoretically Speaking’ | Co-authored with Simon Critchley & Nina Power. Frieze 141 (August/September 2011), pp. 176-181

‘Metamodern Architecture’ |Co-authored with Robin van den Akker. MONU No 15 (2011), pp. 70-73

‘The Young Berlin Artists’ | Metamodernism.com (2011)

‘Hard and Soft’ | Metamodernism.com (2011)

‘Notes on metamodernism’ | Co-authored with Robin van den Akker. Journal of Aesthetics and Culture Vol 2 (2010), pp. 1-13

REPRINTS:

Supplanting the postmodern. An anthology of writings on the arts and culture of the early 21st century. Edited by David Rudrum and Nicholas Stavris. London: Bloomsbury 2015, pp. 309-329.

No more modern. Edited by Jake Yuzna. New York: MAD Museum 2011, no pp.

TRANSLATIONS:

Jegyzetek a metamodernizmusrol. Hungarian transl. Péter Füzi. Forrás (54: 7:8), pp. 3-22.

Notas sobre metamodernismo. Spanish transl. Rubén Oliva. Vebuka.com 2022

Poznámky k metamodernizmu. Slovakian transl. Terezia Klasova. Edice Psi 2017

'Notas sobre o metamodernismo'. Portuguese transl. Milton Machado. Arte & Ensaio 34 (2017), pp. 232-253

Anmerkungen zur Metamoderne. German transl. Elias Wagner. Textem Verlag 2016

‘Заметки о метамодернизме’. Russian transl. Andrey Esipenko. Metamodernizm.ru 2015

'Märkmeid metamodernismist’. Estonian transl. Jaak Tomberg. Methis Vol. 8, No: 11 (2013), pp. 130-145.

‘中现代主义札记’. Chinese transl. Chen Houliang. Journal for Foreign Theoretical Trends Vol. 11 (Winter 2012), pp. 65-73

‘The Suburbs’ | Directory of World Cinema Vol 1: American Independent. Edited by John Berra. Intellect/University of Chicago Press, 2010, pp. 177-279

‘Hard-Boiled Wonderland, Blue Velvet, and the end of postmodernism’ | Metamodernism.com (2010)

‘Sejla Kameric’ | Metamodernism.com (2010)

Books

The Crap Com |Co-Authored with Jon Inge Faldalen. In preparation for Bloomsbury, 2024

Subtle Time: Gesture on Screen | In preparation for SUNY, 2023

Refocus: The films of Richard Linklater | Edited with Kim Wilkins. EUP, 2022
—> BUY BOOK

Metamodernism: Historicity, Affect and Depth after Postmodernism | Edited with Robin van den Akker and Alison Gibbons. Rowman & Littlefield Int. 2017
—> BUY BOOK

TRANSLATIONS:

Metamodernizm: Postmodernizm Sonrası Tarihsellik, Duyuşsallık ve Derinlik | Edited with Robin van den Akker and Alison Gibbons. Translated by Aykut Dalak. Tun Kitap, 2020.
—> BUY BOOK

Anmerkungen zur Metamoderne | Co-authored with Robin van Den Akker. Translated by Elias Wagner. TEXTEM Verlag 2015
—> BUY BOOK

TRANSLATIONS:

Poznámky k metamodernizmu |Co-authored with Robin van Den Akker. Translated by Terezia Klasova. Edice Psi Verlag 2017
—> BUY BOOK

Scenes from the Suburbs: The Suburb in Contemporary US Film and Television | Edinburgh University Press 2014
—> BUY BOOK

New Suburban Stories | Edited with Martin Dines. Bloomsbury 2013
—> BUY BOOK

Journal Articles