‘Romantisker komedier, en selvmotsigende sjanger’ | Zett 155 (2021),pp. 58-70.
‘Sissel Tolaas’ | Frieze (Dec. 2021), p.
‘Ben Rivers’ | Artforum (Dec. 2021)
‘Andreas Angelidakis’ | Frieze 219 (June 2021), p.
‘Skin Deep’ | Vivian Greven: Apple. Edited by Amely Deiss and Helga Krutzler. Kunstpalais, 2020, pp.
‘This book is a ghost story’ | Drawing Literature. Edited by Ane Mette Hol. Hatje Cantz, 2020, pp. 9-11.
‘Når verden går under på film’ | Zett 151 (2020), pp. 43-47.
‘Reality beckons: metamodernism and depthiness’ | Co-authored with Alison Gibbons and Robin van den Akker. European Journal of English Studies 23:2 (2019), pp. 172-189.
REPRINTS:
Fact and Fiction in Contemporary Narratives. Edited by Jan Alber and Alice Bell. Routledge, 2021, pp. 52-69.
‘Neoliberalism and class tourism in The Darjeeling Limited’ | New Review of Film and Television 17:3 (Spring 2019), pp. 331-48.
‘Nike Air Pocket: fashionable ecology’ | APRIA Journal 1: 1 (2019), pp. 47-59.
‘Metamodernism: Period, Structure of Feeling, and Cultural Logic – A Case Study of Contemporary Autofiction’ | Co-authored with Robin van den Akker and Alison Gibbons. New Directions in Philosophy and Literature. Edinburgh University Press, 2019, pp. 41-54
‘Ideally’ | Laure Prouvost: Legsicon. Edited by Nav Huq. Bookworks, London (2019), p. 123.
‘Motor Skills’ | Co-authored with Robin van den Akker. Éric van Hove: Fenduq. Edited by Eelco van der Lingen. Jap Sam Books, 2019, pp. 141-151.
‘The English Channel': Brexit and True-Crime’ | Frieze 207 (2019), pp
‘Nightly Vertigo’ | Parole (2019)
‘Einar Garde Einarsson’ | Frieze 201 (March 2019), p.
‘Flat film: strategies of depthlessness in Pleasantville and La Haine’ | Film-Philosophy 22:2 (2018), pp. 168-183
'The surfaces of film-philosophy' | Co-authored with Catherine Constable and Matt Denny. Film-Philosophy 22: 2 (2018), pp. 143-147
‘Soft upper lip: Coach’s facial expressions in Friday Night Lights’ | Television Performance. Edited by Lucy Fife and James Walters. Springer Nature, 2018, pp. 225-239.
‘Emma Thompson in Remains of The Day' | Close-Up: Great Screen Performances Volume 2: International. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 228-237