‘From the Everyday to the Epic and Back: foreground and background in Community’ | Moments in Television: Epic/Everyday. Edited by Jonathan Bignell, Sarah Cardwell and Lucy Fife. Manchester University Press, 2023, pp. 95-115.

‘Richard Linklater and the Field of American Dreams’ | ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 85-100.

‘Introduction: Linklater’s Itinerant Oeuvre’ | Co-Authored with Kim Wilkins. ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 1-14

‘"Guess Who Doesn't Belong Here?": The Interracial Couple in Suburban Cinema’ | Race and the Suburbs in American Film. Edited by Merrill Schleier. State University New York Press, 2021, pp. 123-142.

‘Metamodernism: Period, Structure of Feeling, and Cultural Logic – A Case Study of Contemporary Autofiction’ | Co-authored with Robin van den Akker and Alison Gibbons. New Directions in Philosophy and Literature. Edinburgh University Press, 2019, pp. 41-54

‘Soft upper lip: Coach’s facial expressions in Friday Night Lights’ | Television Performance. Edited by Lucy Fife and James Walters. Springer Nature, 2018, pp. 225-239.

‘Emma Thompson in Remains of The Day' | Close-Up: Great Screen Performances Volume 2: International. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 228-237

‘Al Pacino in Donnie Brasco’ | Close-Up: Great Screen Performances Volume 1: America. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 234-242

'Parafiction, autofiction, perfiction' | Co-authored with Robin van den Akker. Para/Fictions. Edited by Natasha Hoare. Witte de With Publishers, 2018, pp. 19-29

‘The Altergorithm’ | The Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury, 2018, pp. 29-32.

REPRINTS:

Frieze online (April, 2016)

‘Ecopathy’ | The Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury, 2018., pp. 125-129

‘Ekopatia: výlet na pláž’ | Slovakian Transl. Magdaléna Kobzová. 3/4 2020

‘Metamodernism' | The Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury, 2018, pp. 256-259.

‘Periodizing the 2000s, or the emergence of metamodernism’ | Co-authored with Robin van den Akker. Metamodernism: Historicity, affect, depth. Edited by Alison Gibbons, R. van den Akker and T. Vermeulen. Rowman & Littlefield, 2017, pp. 1-22.

‘Metamodern depth, or depthiness’ | Metamodernism: Historicity, affect, depth. Edited by Alison Gibbons, Robin van den Akker and Timotheus Vermeulen. Rowman & Littlefield, 2017, pp. 147-150

'We need to talk about Dolphins' | The Standard Book of Noun-Verb Exhibition Grammar. Edited by Niekolaas Lekkerkerk. Onamatopee, 2017, pp.

‘Groucho Marxism’ | Solution 275: Communism. Edited by Joshua Simon and Ingo Niermann. Sternberg Press, 2017, pp.

‘Contraction and expansion’ | Authenticity? Observations and artistic strategies in the post-digital age. Edited by Barbara Cueto and Bas Hendriks. Valiz, 2017, pp. 19-27.

‘Postmodernism’ | The International Encyclopedia of Communication Theory and Philosophy. Edited by Eric Rothenbuhler. Wiley-Blackwell, 2016, pp.

‘Poststructuralism’ | The International Encyclopedia of Communication Theory and Philosophy. Edited by Eric Rothenbuhler. Wiley-Blackwell, 2016, pp.

‘Todd Haynes: with the love of the lens’ | Directory of World Cinema: American Independent Vol. 3. Edited by John Berra. Intellect/University of Chicago Press, 2016, pp. 138-141