‘Aesthetics and the as-if’ | Experimental Aesthetics. Edited by Henk Slager. Metropolis M Books, 2014, pp. 42.46.

‘Spiritual Discovery’ | Diango Hernandez: Socialist Nature. Edited by Gerhard Obermuller. Distanz Verlag, Berlin, 2014, pp. 12-16.

‘Getting to Know’ | Visualisation of Evolution. Edited by Petra Maitz. Ambra, Vienna, 2014, pp. 148-151

‘Oscar Santillan’ | Frieze 167 (November-December 2014), pp. 120-121

‘Borrowed Energy’ | Co-authored with Rosi Braidotti. Frieze 165 (September 2014), pp. 130-33.

‘Art Criticism and Metamodernism’ | Co-authored with Robin van den Akker. Art Pulse 19.3 (2014), pp. 22-27.

TRANSLATIONS:

‘메타모더니즘과 예술 ‘ Korean trans. by Mihye Yim. Public Art┃퍼블릭아트 197, pp. 31-35.

‘Public Enemy: Machiavellian Scheming and Political Drama’ | Frieze 163 (May 2014), pp. 45-47.

Monika Stricker: Something else, all the same | Frieze D/E 13 (March 2014), pp. 104-105

‘Özlem Günyol & Mustafa Kunt’ | Frieze D/E 16 (September-November 2014), pp. 149-150.

‘Looking Awry: on Sturtevant’ | Art Blog Cologne (June 2014).

‘A Lingering Absence; Ilse D’Hollander’ | Texte Zur Kunst 93 (May 2014), pp. 231-233.

‘Ane Mette Hol’ | Frieze 161 (March 2014), p. 163

‘Katie Holten’ | Frieze D/E 13 (March-April 2014), p.125

‘Watching Television with Jacques Rancière: US Quality TV, Mad Men, and the late cut’ | Co-authored with Gry Rustad. Screen 54.3 (Autumn 2013), pp. 341-354.

‘As if’ | Beyond The Aesthetic and the Anti-Aesthetic. Edited by James Elkins & Harper Montgomery. Penn State University Press, 2013, pp. 167-170

New Suburban Stories | Edited with Martin Dines. Bloomsbury 2013

‘Introduction: The second space’ | Co-authored with Martin Dines. New Suburban Stories. Edited by Martin Dines and Timotheus Vermeulen. Bloomsbury, 2013, pp. 1-15.

‘Arrested Developments: Towards an Aesthetic of the New Sitcom’ | Co-authored with James Whitfield. Television Aesthetics and Style. Edited by Jason Jacobs and Steven Peacock. Bloomsbury, 2013, pp. 103-112.

‘Quality TV and Independent Cinema’ | Directory of World Cinema Vol 2: American Independent. Edited by John Berra. Intellect/University of Chicago Press, 2013, pp. 31-35

‘Metamodernist affect’ | American Book Review 34.4 (2013), pp. 8-9.